The Creation is E. O. Wilson's most
important work since the publications of
Sociobiology and Biophilia. Like Rachel
Carson's Silent Spring, it is a book about
the fate of the earth and the survival of our
planet. Yet while Carson was specifically concerned
with insecticides and the ecological destruction of
our natural resources, Wilson, the two-time Pulitzer
Prize-winner, attempts his new social revolution by
bridging the seemingly irreconcilable worlds of
fundamentalism and science. Like Carson, Wilson
passionately concerned about the state of the world,
draws on his own personal experiences and expertise
as an entomologist, and prophesies that half the
species of plants and animals on Earth could either
have gone or at least are fated for early extinction
by the end of our present century.
Astonishingly, The Creation is not a bitter,
predictable rant against fundamentalist Christians
or deniers of Darwin. Rather, Wilson, a leading
"secular humanist," draws upon his own rich
background as a boy in Alabama who "took the
waters," and seeks not to condemn this new
generations of Christians but to address them on
their own terms. Conceiving the book as an extended
letter to a southern Baptist minister, Wilson, in
stirring language that can evoke Martin Luther
King's "Letter from Birmingham Jail," tells this
everyman minister how, in fact, the world really
came to be. He pleads with these men of the cloth to
understand the cataclysmic damage that is destroying
our planet and asks for their help in preventing the
destruction of our Earth before it is too late.
Never a pessimist, Wilson avers that there are
solutions that may yet save the planet, and believes
that the vision that he presents in The Creation
is one that both scientists and pastors can accept,
and work on together in spite of their fundamental
ideological differences. 25 line drawings.